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Theme from A Summer Place" by Percy Faith was the number one song of 1960. Bobby Rydell had four songs on the Year-End Hot 100. Brenda Lee had four songs on the Year-End Hot 100. Connie Francis had four songs on the Year-End Hot 100. The Everly Brothers had four songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 ...
The Never-Before-Released Masters is 1987 compilation album containing unreleased recordings recorded by Motown girl-group The Supremes from 1961 to 1969. [2] It was the second CD release of unreleased recordings by The Supremes, the first being disc two of the 2 disc "25th Anniversary" compilation.
Fenton Records was what is known as a "vanity" label, meaning bands paid for recording time and some vinyl records. Rumor has it that if Kalmbach thought the song lacked quality, he wouldn't release it on Fenton, instead it would be tagged with a sub-label, such as 4 Count or Buyit Records.
Martin Luther King Jr.'s 1963 "I Have a Dream" speech was one of 50 recordings preserved in 2002, the first year of existence of the United States National Recording Registry. The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and inform or reflect life in the United ...
The San Francisco sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the counterculture community in San Francisco, particularly the Haight-Ashbury district, during these years. [ 1 ]
A newly emerging style, which had its roots in the 1950s but exploded in the mainstream during the 1960s, was the "Bakersfield sound." Instead of creating a sound similar to mainstream pop music, the Bakersfield sound used honky tonk as its base and added electric instruments and a backbeat, plus stylistic elements borrowed from rock and roll.
Nuggets is a series of compilation albums, started by Elektra Records in 1972 [1] and continued by Rhino Records thereafter. [2] The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included.
Based on many rock and pop songs the band grew up listening to, the song featured more complex instrumentation and production than past songs by the band, employing the use of saxophone and organ, along with the standard guitar, drums and bass. [1] The song criticized the state of mainstream rock music at that time and took a roots rock approach.