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In music, the subtonic is the degree of a musical scale which is a whole step below the tonic note. In a major key , it is a lowered, or flattened, seventh scale degree ( ♭ ). It appears as the seventh scale degree in the natural minor and descending melodic minor scales but not in the major scale .
The subtonic [leading-tone] chord is founded upon seven (the leading tone) of the major key, and is a diminished chord... The subtonic chord is very much neglected by many composers, and possibly a little overworked by others. Its occasional use gives character and dignity to a composition. On the whole, the chord has a poor reputation.
The word subtonic is used when the interval between it and the tonic in the upper octave is a whole step; leading note is used when that interval is a half-step. by their name according to the movable do solfège system: do, re, mi, fa, so(l), la, and si (or ti).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
If the subtonic is a semitone away from the tonic, then it is usually called the leading-tone (or leading-note); otherwise the leading-tone refers to the raised subtonic. Also commonly used is the (movable do) solfège naming convention in which each scale degree is denoted by a syllable.
In music, the tonic is the first scale degree of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone [1] that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do.
In music theory as it is commonly taught in the US, there are six or seven different functions, depending on whether degree VII is considered to possess an independent function. Stufentheorie stresses the individuality and independence of the seven harmonic degrees.
In music, modulation is the change from one tonality (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest.