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xeno-canto is a citizen science project and repository in which volunteers record, upload and annotate recordings of bird calls and sounds of orthoptera and bats. [2] Since it began in 2005, it has collected over 575,000 sound recordings from more than 10,000 species worldwide, and has become one of the biggest collections of bird sounds in the world. [1]
Xenosaga Episode III: Also sprach Zarathustra [a] is a role-playing video game developed by Monolith Soft and published by Namco Bandai Games for the PlayStation 2 in 2006. It is the final entry in both the Xenosaga trilogy and the larger Xenosaga series, which forms part of the Xeno franchise.
Speaking in tongues, also known as glossolalia, is an activity or practice in which people utter words or speech-like sounds, often thought by believers to be languages unknown to the speaker. One definition used by linguists is the fluid vocalizing of speech-like syllables that lack any readily comprehensible meaning.
French parapsychologist Charles Richet coined the term xenoglossy in 1905.. Xenoglossy (/ ˌ z iː n ə ˈ ɡ l ɒ s i, ˌ z ɛ-,-n oʊ-/), [1] also written xenoglossia (/ ˌ z iː n ə ˈ ɡ l ɒ s i ə, ˌ z ɛ-,-n oʊ-/) [2] [3] and sometimes also known as xenolalia, is the supposedly paranormal phenomenon in which a person is allegedly able to speak, write or understand a foreign language ...
Xenosaga I & II [a] is a 2006 role-playing video game co-developed by Monolith Soft and Tom Create, and published by Namco for the Nintendo DS.A spin-off of the Xenosaga trilogy and forming part of the Xeno metaseries, Xenosaga I & II retells the events of Xenosaga Episode I and Xenosaga Episode II while expanding on its characters and narrative.
The earliest compositional use of the technique was in the first version of Engelbert Humperdinck's 1897 melodrama Königskinder (in the 1910 version it was replaced by conventional singing), where it may have been intended to imitate a style already in use by singers of lieder and popular song, [3] but it is more closely associated with the composers of the Second Viennese School.
One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1] Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2]
Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...