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According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, [1] and the term rumba complex is now commonly used by musicologists. [ 2 ] [ 3 ] This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles.
In this sense, the anglicised spelling "rhumba" became prevalent and is now recommended to distinguish it from traditional Cuban rumba. [5] Also in the first third of the 20th century, "rumba" entered the Spanish flamenco world as a fast-paced palo (style) inspired in the Cuban guaracha, and which gave rise to other forms of urban music now ...
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They brought their incredible musical traditions, like son, rumba, and cha-cha-cha, sparking a fiery dance culture we now call Miami Cuban style salsa. [1] Other partner dancing styles include Trios or Quattros, in which a lead dances with two or more partners in intricate patterns. There is also a Trios version in which two leads share a follow.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
The dance simulates the man's pursuit of the woman. The yambú, now a relic, featured a burlesque imitation of an old man walking with a stick. All forms of rumba are accompanied by song or chants. [126] [127] Rumba (de solar o de cajón) is today a fossil genre usually seen in Cuba in performances of professional groups.
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon ...
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.