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The track, "You'd Better Get Yourself Together, Baby" also appears on the Wicked Good Sampler 05 compilation, a 1998 promotional release associated with Newbury Comics released by Universal Music (Catalog Number: UMG3P-21141).
The song was written by all four members of the band – George Harrison, Jeff Lynne, Bob Dylan and Tom Petty – and each of them sing a portion of the track. The song was released as the first single from the album, although it was only issued as a promotional single in the United States. [3] The lead guitar part is played by Gary Moore.
As of April 2016, Wheels On The Bus had attracted over 1.33 billion views. It was officially recognized as the number one educational video by Guinness World Records in 2017. [21] As of 2018 Little Baby Bum was the world's tenth-largest YouTube channel with 16.5 million subscribers. [22]
It was a dead-on-arrival song from a reclusive and mysterious singer, yet thanks to being featured in multiple movies and parodies, almost everyone has heard of it. Unknown artists have one-hit ...
Turn On The Music (January 17, 1989) Even More Baby Songs (1990) Baby Songs Presents: John Lithgow's Kid Size Concert (1990) Baby Songs Presents: Baby Rock (1991) Baby Songs: Christmas (1991) Baby Songs Presents: Follow Along Songs (1992) Baby Songs Presents: Sing Together (1992) Baby Songs: Good Night (January 26, 1999) Baby Songs: ABC, 123 ...
George Clinton, who wrote the song in 1975 "Get Off Your Ass and Jam" is a song by Funkadelic, track number 6 to their 1975 album Let's Take It to the Stage. It was written by George Clinton, although the lyrics are made up entirely of repetitions of the phrase, "Shit! Goddamn! Get off your ass and jam!", interspersed with lengthy guitar solos.
Moonbug Entertainment Ltd. is a British children's media company and multi-channel network headquartered in London, with an office in Los Angeles. [6] [7] Founded in 2018 and owned by Candle Media, Moonbug creates and distributes children’s video and audio content.
BuzzFeed listed the song at number 66 in their list of "The 101 Greatest Dance Songs Of the '90s" in 2017. [17] Can't Stop the Pop described it as "a relentless tour-de-force of Eurodance ". They added that "it's like a slightly poppier take on 2 Unlimited , with perfectly crisp, dizzying Wurlitzer-synth melodies and a thumping beat that evokes ...