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Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Chart of the Morse code 26 letters and 10 numerals [1]. This Morse key was originally used by Gotthard railway, later by a shortwave radio amateur [2]. Morse code is a telecommunications method which encodes text characters as standardized sequences of two different signal durations, called dots and dashes, or dits and dahs.
In Czech, the mnemonic device to remember letters in Morse code lies in remembering words or short phrases that begin with each appropriate letter and have a long vowel (i.e. á é í ó ú ý) for every dash and a short vowel (a e i o u y) for every dot. Additionally, some other sets of words with a particular theme have been thought up in ...
The Young Shepherd, engraving using stipple technique by Giulio Campagnola, around 1510. In printmaking, stipple engraving is a technique using flicks of the burin to build up the image in short lines or dots, often combined with conventional linear engraving.
A line may not always be continuous, broken or implied lines are also commonly used in graphics. A series of dots or dashes can still be a line, because it can still be used to fulfill the purpose of a regular unbroken line. An implied line is something that directs the viewer’s eye to a particular point in space without actually using a real ...
Divisionism is the technique of painting separate dots or patches of different colors in close proximity that interact optically in the viewer's perception to generate more luminous colors. The paints are not actually mixed but viewed close together, so the separate colors of light reflected by the paints mixes in the eye and brain; the process ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
Marcel Duchamp (who was an artist that accompanied the sculptures from Europe), [12] American photographer Edward Steichen (who was to take possession of Bird in Space after exhibition), and Brâncuși himself were indignant; the sculptures were set to appear at the Brummer Gallery, an avant-garde art gallery in New York City, [13] and then the ...