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The only other novel by Satthianandhan is Kamala: The Story of a Hindu Life (1894). The non-fictional body of prose-works, consisting of letters, diaries, political manifesto, articles, speeches, philosophical works etc. in Indian English literature of the nineteenth and the early twentieth century, is rich and varied.
Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright.He authored several dramas, biographical sketches, and travel accounts with the goal of influencing public opinion.
Existential nihilism is the philosophical theory that life has no objective meaning or purpose. [1] The inherent meaninglessness of life is largely explored in the philosophical school of existentialism, where one can potentially create their own subjective "meaning" or "purpose".
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas. In modern times, the Dehlavi dialect of the Hindi Belt became more prominent than Sanskrit. [citation needed] [verification needed]
Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.