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Jazz Chant is a rhythmic expression of natural language which links the rhythms of spoken American English to the rhythms of traditional American jazz. Jazz Chants are defined poems with repeated beats. The beat may vary depending on the idea of the reader.
Jazz poetry has been defined as poetry that "demonstrates jazz-like rhythm or the feel of improvisation" [1] and also as poetry that takes jazz music, musicians, or the jazz milieu as its subject, [2] and is designed to be performed. Some critics consider it a distinct genre though others consider the term to be merely descriptive.
In some European countries (particularly France), pop and jazz musicians often use so-called "chord grids" that show in a graphical way the chord progression. To illustrate, below is an example of two-part tunes, each eight bars long. Each square stands for a bar, while the "•/•”symbol means to stay on the same chord as the previous bar.
Ostinato basslines or riffs are common in rock music and in some types of jazz. An example is the bassline to "A Night in Tunisia". outside. In jazz, to improvise in an "outside" manner means to play solo arpeggios and scales that are harmonically distant from the chord being played by the rhythm section and which are thus more dissonant-sounding.
Jazz poetry: 1920s -> Jazz pop: Jazz rap: Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s -> Jazz rock: The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.