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Rachel is mentioned several times throughout The Dark Knight Rises. Additionally, a picture of her appears in Wayne Manor (Maggie Gyllenhaal’s archival portrayal of the character in The Dark Knight only). Bruce, having retired from being Batman after taking the blame for Dent's crimes to ensure he is remembered as a hero, is portrayed as ...
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
The Dark Knight incarnation of Harvey Dent / Two-Face appears as a playable character in Lego Batman 3: Beyond Gotham via The Dark Knight DLC pack. This version possesses detective vision and skill in acrobatics. The Harvey Dent incarnation of Two-Face appears as a boss in Lego Dimensions, voiced again by Troy Baker.
The Dark Knight Rises is a 2012 superhero film directed by Christopher Nolan, who co-wrote the screenplay with his brother Jonathan Nolan, and the story with David S. Goyer. [5] Based on the DC Comics character Batman, it is the final installment in Nolan's The Dark Knight trilogy, and the sequel to The Dark Knight (2008).
Tracie Thoms plays the friend of Anne Hathaway's lead character in the film The Devil Wears Prada; Aisha Tyler plays the friend of Jennifer Love Hewitt on The Ghost Whisperer; Lisa Nicole Carson plays the friend of Calista Flockhart's lead character on Ally McBeal; Black knight: An evil fighter antagonist, whose identity is often concealed ...
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"A Cream Cracker Under The Settee" is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC. The series became very popular, moving onto BBC Radio, international theatre, becoming one of the best-selling audio book releases of all time and included as part of both the A-level and ...
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...