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They are also distinct from pendant lights, as they usually consist of multiple lamps and hang in branched frames, whereas pendant lights hang from a single cord and only contain one or two lamps with few decorative elements. Due to their size, they are often installed in large hallways and staircases, living rooms, lounges, and dining rooms ...
This permitted the design of a very elaborate, rich, architectural focal point for a grand room. At a later date, in consequence of the greater width of the fireplace, flat or segmental arches were thrown across and constructed with archivolt, sometimes joggled, with the thrust of the arch being resisted by bars of iron at the back. [1]
The living room also contains box beams, with decorative paintings of urns and roses in each recess. The room's fireplace is decorated in green, 6-inch (15-centimetre) Grueby tile and the space also includes original light fixtures and cast iron heaters. The library is located off the living room and access is gained through a large, fir pocket ...
A back light, which lights foreground elements from the rear, is not to be confused with a background light, which lights background elements (such as scenery). In the context of lighting design, the back light is sometimes called hair or shoulder light, because when lighting an actor or an actress, backlighting makes the edges the subject's ...
Richard Kelly (1910–1977) was an American lighting designer, considered one of the pioneers of architectural lighting design. [1] Kelly had already established his own New York-based lighting practice in 1935 before enrolling at the Yale School of Architecture. He graduated from there in 1944.
To define light source color properties, the lighting industry predominantly relies on two metrics, correlated color temperature (CCT), commonly used as an indication of the apparent "warmth" or "coolness" of the light emitted by a source, and color rendering index (CRI), an indication of the light source's ability to make objects appear natural.