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The Nativity has been depicted in many different media, both pictorial and sculptural. Pictorial forms include murals, panel paintings, manuscript illuminations, stained glass windows and oil paintings. The subject of the Nativity is often used for altarpieces, many of these combining both painted and sculptural elements. Other sculptural ...
Adoration of the Christ Child is an oil-on-panel painting executed in 1523 by Lorenzo Lotto and signed at the bottom right "L. Lotus / 1523". It is now in the National Gallery of Art in Washington. The painting was produced for private devotion. X-ray examination has shown that the left side was reworked by Lotto himself.
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art. Here, "art" means the visual arts, not music or drama.
Adoration of the Christ Child (Italian: Adorazione del Bambino), is a c. 1619 –1621 oil on canvas painting of the Nativity by the Dutch Golden Age artist Gerard Honthorst in the collection of the Uffizi in Florence. [1]
The Nativity is an oil on canvas painting by Flemish-French Philippe de Champaigne, created c. 1643. It has been held at the Palais des Beaux-Arts de Lille , since 1804. [ 1 ]
Nativity with Saint Francis and Saint Lawrence, Caravaggio, 1609. 268 cm × 197 cm (106 in × 78 in) The Nativity with Saint Francis and Saint Lawrence is a painting of the nativity of Jesus from 1609 by Italian painter Caravaggio. It has been missing since 1969 when it was stolen from the Oratory of Saint Lawrence in Palermo.
The Nativity is an oil on canvas painting by Italian painter Federico Barocci, created in 1597. It depicts the episode of the Nativity of Jesus . It is held in the Museo del Prado , in Madrid .
The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.