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The "Hymn to Intellectual Beauty" was conceived and written during a boating excursion with Byron on Lake Geneva, Switzerland, in June 1816. The beauty of the lake and of the Swiss Alps is responsible for Shelley's elevating what he calls "Intellectual Beauty" to the ruling principle of the universe.
1821 title page, Charles and James Ollier, London 1820–21 draft of Epipsychidion, Bodleian Library, Oxford. Epipsychidion is a major poetical work published in 1821 by Percy Bysshe Shelley.
1810 first edition title page, J. J. Stockdale, London. 1898 reprint title page, John Lane, London and New York Original Poetry by Victor and Cazire was a poetry collection written by Percy Bysshe Shelley and his sister Elizabeth which was printed by Charles and William Phillips in Worthing and published by John Joseph Stockdale in September 1810.
Hymn to Intellectual Beauty, written in 1816, published in Leigh Hunt's Examiner on January 19 of this year "Mont Blanc", published in History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland, a book written with his wife, Mary, who wrote most of the prose (Percy Shelley wrote the poem)
1810 first edition title page, J. Munday, Oxford. Posthumous Fragments of Margaret Nicholson was a collection of poetry published in November, 1810 by Percy Bysshe Shelley and his friend Thomas Jefferson Hogg while they were students at Oxford University. [1]
In 2017 Harvard announced it was running a contest to replace the last line of the song "Till the stock of the Puritans die". In early October 2017 semifinalist potential replacement lines were announced. [4] [5] The final replacement line was chosen as "Till the stars in the firmament die." [6]
First appearance in Posthumous Poems, 1824.. The Triumph of Life was the last major work by Percy Bysshe Shelley before his death in 1822. [1] The work was left unfinished. Shelley wrote the poem at Casa Magni in Lerici, Italy in the early summer of 1822
Kassia, Cassia or Kassiani (Greek: Κασσιανή, romanized: Kassianí, pronounced; c. 810 – before 865) was a Byzantine-Greek composer, hymnographer and poet. [1] She holds a unique place in Byzantine music as the only known woman whose music appears in the Byzantine liturgy. [2]