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Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms. Phoenix: Oryx Press, 2000. ISBN 1-57356-128-2. Branson, Oscar T. Indian Jewelry Making. Tucson, AZ: Treasure Chest Publications, 1977. ISBN 0-442-21418-9. Dubin, Lois Sherr. North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry ...
Native American In Native American Ojibwa culture the human mind was believed to be susceptible to dark spirits, when the mind is weakest (I.e. asleep) and would give bad dreams. In defense the men and women would weave dream catchers. These talismans would let the good dream spirits through, whilst trapping the bad spirits in the pattern.
The four-looped square, or guilloche, is considered by some to be a "whirling sun" motif, or a priestly or chiefly litter; [17] by some, the earth held up by cords to the Sky Vault at the four cardinal points; [18] and by others, the path of life with four stages of maturity.
The Kongo cosmogram (also called yowa or dikenga cross, Kikongo: dikenga dia Kongo or tendwa kia nza-n' Kongo) is a core symbol in Bakongo religion that depicts the physical world (Ku Nseke), the spiritual world (Ku Mpémba), the Kalûnga line that runs between the two worlds, the sacred river that forms a circle through the two worlds, the four moments of the sun, and the four elements.
[1] [2] [10] Much of what is known about Huichol designs and symbols was put together by Norwegian explorer and ethnographer Carl Lumholtz in the late 19th century, but Huichol art and decoration has since become more varied. [1] [5] However, plant and animal motifs remain the most common and most retain their original meaning. [5]
The Native American movement of the Ghost Dance wore ghost shirts to protect them from bullets. In the Philippines, amulets are called agimat or anting-anting. According to folklore, the most powerful anting-anting is the hiyas ng saging (directly translated as pearl or gem of the banana). The hiyas must come from a mature banana and only comes ...