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5 25 C ♯ ͵/D ♭ ͵ C ♯ 1 /D ♭ 1: 5 34.64783 Low C#(9 String) 4 24 C͵ contra-octave: C 1 Pedal C 4 32.70320 C (Upright Extension or 5th tuning) 3 23 B͵͵ B 0: 3 30.86771 B (5 string) 2 22 A ♯ ͵͵/B ♭ ͵͵ A ♯ 0 /B ♭ 0: 2 29.13524 1 21 A͵͵ A 0: 1 27.50000: 97 20 G ♯ ͵͵/A ♭ ͵͵ G ♯ 0 /A ♭ 0: 0 25.95654 Low G# (10 ...
For example, C 4 is one note above B 3, and A 5 is one note above G 5. The octave number is tied to the alphabetic character used to describe the pitch, with the division between note letters ‘B’ and ‘C’, thus: "B 3" and all of its possible variants (B, B ♭, B, B ♯, B) would properly be designated as being in octave "3".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Logarithmic plot of frequency in hertz versus pitch of a chromatic scale starting on middle C. Each subsequent note has a pitch equal to the frequency of the prior note's pitch multiplied by 12 √ 2. The base-2 logarithm of the above frequency–pitch relation conveniently results in a linear relationship with or :
In vocal music, the term High C (sometimes called Top C [5]) can refer to either the soprano's C 6 (1046.502 Hz; c ′ ′ ′ in Helmholtz notation) or the tenor's C 5; soprano written as the C two ledger lines above the treble clef, with the tenor voice the space above concert A, sung an octave lower. Sometimes written with “8v” below the ...
C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭. It is the second semitone in the French solfège and is known there as do dièse. In some European notations, it is known as Cis.
When one contrasts this with a dissonant interval such as a tritone (not tempered) with a frequency ratio of 7:5 one gets, for example, 700 − 500 = 200 (1st order combination tone) and 500 − 200 = 300 (2nd order). The rest of the combination tones are octaves of 100 Hz so the 7:5 interval actually contains four notes: 100 Hz (and its ...
Code chart ∣ Web page: Note: [1] [2 Musical Symbols is a Unicode block containing characters for representing modern musical notation. Fonts that support it include ...