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5 25 C ♯ ͵/D ♭ ͵ C ♯ 1 /D ♭ 1: 5 34.64783 Low C#(9 String) 4 24 C͵ contra-octave: C 1 Pedal C 4 32.70320 C (Upright Extension or 5th tuning) 3 23 B͵͵ B 0: 3 30.86771 B (5 string) 2 22 A ♯ ͵͵/B ♭ ͵͵ A ♯ 0 /B ♭ 0: 2 29.13524 1 21 A͵͵ A 0: 1 27.50000: 97 20 G ♯ ͵͵/A ♭ ͵͵ G ♯ 0 /A ♭ 0: 0 25.95654 Low G# (10 ...
For example, C 4 is one note above B 3, and A 5 is one note above G 5. The octave number is tied to the alphabetic character used to describe the pitch, with the division between note letters ‘B’ and ‘C’, thus: "B 3" and all of its possible variants (B, B ♭, B, B ♯, B) would properly be designated as being in octave "3".
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The C sharp note on a treble clef. C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭. It is the second semitone in the French solfège and is known there as do dièse. In some European notations, it is known as Cis.
Logarithmic plot of frequency in hertz versus pitch of a chromatic scale starting on middle C. Each subsequent note has a pitch equal to the frequency of the prior note's pitch multiplied by 12 √ 2. The base-2 logarithm of the above frequency–pitch relation conveniently results in a linear relationship with or :
In vocal music, the term High C (sometimes called Top C [5]) can refer to either the soprano's C 6 (1046.502 Hz; c ′ ′ ′ in Helmholtz notation) or the tenor's C 5; soprano written as the C two ledger lines above the treble clef, with the tenor voice the space above concert A, sung an octave lower. Sometimes written with “8v” below the ...
When one contrasts this with a dissonant interval such as a tritone (not tempered) with a frequency ratio of 7:5 one gets, for example, 700 − 500 = 200 (1st order combination tone) and 500 − 200 = 300 (2nd order). The rest of the combination tones are octaves of 100 Hz so the 7:5 interval actually contains four notes: 100 Hz (and its ...
Code chart ∣ Web page: Note: [1] [2 Musical Symbols is a Unicode block containing characters for representing modern musical notation. Fonts that support it include ...