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Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records.The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions.
Secret Name is the fourth studio album by American indie rock band Low. [8] [9] It was released in 1999, their first album on the Kranky record label. [10] The album was recorded by Steve Albini at Electrical Audio in Chicago. Bass guitarist Zak Sally plays an Optigan on some tracks. The album title comes from the "Weight of Water" lyric: "Make ...
The Great Destroyer is the seventh studio album by American indie rock band Low. It was released on January 25, 2005, as their first recording on Sub Pop Records. [1] "California", a song about Sparhawk's mother, was released as the album's first single, backed with a demo of "Cue the Strings". [2]
Double Negative is the twelfth studio album by Low, released on September 14, 2018. [9] It is the last album to feature bass guitarist Steve Garrington, who would go on to leave the band in 2020. Critical reception
High/Low is the debut studio album by the American band Nada Surf, released in 1996. [2] [3] It contains the hit single "Popular". [4] High/Low was produced by Ric ...
Trust is the sixth studio album by American indie rock band Low. It was released on October 21, 2002 [ 8 ] on the Kranky label . The album was mastered by John Golden, mixed by Tchad Blake and recorded by Tom Herbers.
Law gets knocked out by Vergo who had a bamboo stick with him imbued with Haki. Caesar tells his men to tie up the Straw Hats and G-5. Meanwhile Chopper is looking for a way to cure the children. Zoro's group are waiting for Sanji to rescue the samurai's torso. Sanji uses Haki to find the body and realizes it is in a shark's mouth.
On AllMusic Dave Lynch wrote, "Of course, the Allmans sound was a major touchstone for Sea Level; certainly, Leavell's pianism had reached its largest audience ever with his solo break on "Jessica", and he would bring similar stylings to his quartet's 1977 eponymous debut album. But Sea Level didn't need to stand in the shadow of any other ...