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Template:Did you know nominations/Sonata in A minor for Solo Flute Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
The Sonata for Solo Flute in A minor, Wq.132, H 562, is a sonata for flute, without Basso Continuo or accompanying instruments, composed by Carl Philipp Emanuel Bach. [1] The sonata is considered, along with Telemann's Fantasias for Solo Flute and J. S. Bach's A minor partita, one of the most significant works for unaccompanied flute before the 20th century. [2]
In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
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In common with the first movement of the flute sonata in E minor (HWV 379). 2 Allegro E minor 4 4: 43 Al Goldstein on flute with Martha Goldstein on harpsichord (1:42): 3 Adagio G major 3 4: 12 Al Goldstein on flute with Martha Goldstein on harpsichord (0:43): Concludes on a B major chord. 4 Allegro E minor 3 8: 80
The Complete Works of the Great Flutist is a collection of reissued and remastered recordings of performances by French flutist Marcel Moyse.The notes in the Muramastu Japanese site that markets the five CD box set only has English titles for the tracks, and has a number of mistakes regarding the playing order.
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach.Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. [1]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).