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"7" is a song by American musicians Prince and the New Power Generation. It was released on November 17, 1992 as the third single from their Love Symbol Album.Featuring a sample of the 1967 Lowell Fulson song "Tramp", the track showcases a distinct Middle Eastern tone underscored by heavy drums and bass in an acoustic style, a Hindu reincarnation theme, and an opera-like chorus which features ...
L'Histoire de Babar, le petit éléphant (The story of Babar, the little elephant), FP 129, is a composition for narrator and piano by Francis Poulenc, based on Histoire de Babar and written from 1940. Orchestral versions were later written by Jean Françaix and David Matthews.
In 1931, Jean de Brunhoff introduced Babar in Histoire de Babar, and Babar enjoyed immediate success. [1] [10] In 1933, A.A. Milne introduced an English-language version, The Story of Babar, in Britain and the United States. [11] Before his death in 1937, Jean de Brunhoff published six more stories.
The song's album in question, The Gold Experience, was released the following year and hit the top 40 with the singles "I Hate U" (Prince's last original single to reach the United States top 40), "Gold", and "Endorphinmachine" (in Japan), while the promotional single "Purple Medley", a remix of his greatest hits, reached the top 20 worldwide.
Babar: The Movie is a 1989 animated adventure film based on the characters of Jean de Brunhoff's eponymous children's books. [2] It serves as the season finale to the first season of the TV series , as the second season started airing shortly after.
Babar's mother is a female elephant who was shot and killed by the Hunter in the first episode of the show (Babar's First Step), setting the course for much of the rest of the series. Her murder, which Babar witnessed, was a great source of trauma for her son, and influences much of the direction of Babar's life.
Just out of the surrealist experience of Les Six, Poulenc dared to bring the bawdy songs into the concert halls.On the one hand, the text of Les Chansons gaillardes comes from anonymous texts of the seventeenth century, written in a tone of celebration and alcohol: "texts rather scabrous", [3] according to Francis Poulenc himself.
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