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Embodiment theory speaks to the ways that experiences are enlivened, materialized, and situated in the world through the body.Embodiment is a relatively amorphous and dynamic conceptual framework in anthropological research that emphasizes possibility and process as opposed to definitive typologies. [1]
Embodied energy, required to produce any goods or services; Embodied water or virtual water, the water used in the production of a good or service; Claim (patent), in patent law, embodiment refers to implementation of an invention; Embodied agent, an agent with a physical presence in the world (Robotics)
A contronym is alternatively called an autantonym, auto-antonym, antagonym, [3] [4] enantiodrome, enantionym, Janus word (after the Roman god Janus, who is usually depicted with two faces), [4] self-antonym, antilogy, or addad (Arabic, singular didd).
Embodied design grows from the idea of embodied cognition: that the actions of the body can play a role in the development of thought and ideas. [ 1 ] [ 2 ] Embodied design brings mathematics to life; studying the effects of the body on the mind, researchers learn how to design objects and activities for learning. [ 3 ]
Tacit knowledge involves learning and skill but not in a way that can be written down. On this account, knowing-how or “embodied knowledge” is characteristic of the expert, who acts, makes judgments, and so forth without explicitly reflecting on the principles or rules involved.
Embodiment is an active process (a verb-like noun), in that the relationship between bodies and the world around them is reciprocal, cyclical, and synergistic. Pathways to Embodiment describes the various ways that social, biological, and environmental forces may interact with an individual's body in context.
The term antonym (and the related antonymy) is commonly taken to be synonymous with opposite, but antonym also has other more restricted meanings. Graded (or gradable) antonyms are word pairs whose meanings are opposite and which lie on a continuous spectrum (hot, cold).
Statue of Death, personified as a human skeleton dressed in a shroud and clutching a scythe, at the Cathedral of Trier in Trier, Germany. Personifications of death are found in many religions and mythologies.