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The Jazz Theory Book is an influential work by Mark Levine, first published in 1995. [1] The book is a staple in jazz theory, [2] and contains a wide range of jazz concepts from melodic minor scales and whole tone scale to bebop scales, diminished scales and "Coltrane" reharmonization. Levine assumes that the reader can read music, and gives ...
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
Download as PDF; Printable version ... altered diminished scale: harmonic minor, Aeolian harmonic (♮7) scale ... as The Book of Modes, translated by Yvonne Petrescu ...
For example, the C diminished scale of the half-step-first type, has the same notes as the half-step-first E ♭ diminished scale as well as the whole-step-first D ♭ diminished scale. All three are composed of the same eight pitches: C–D ♭ –E ♭ –E ♮ –F ♯ –G–A–B ♭ –C. Because of the symmetry of the diminished scale ...
In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad. This chord has a dominant function.
In the case of I or C, C-A-F ♯-D ♯, or an E ♭ fully diminished chord. This connects the axis system not only with diminished chords, which often form the basis for the movement in a piece based on the axis system, but also links the axis system with the diminished scales formed on ♭ III of each of the principal tones: root, subdominant ...
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...