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Cthulhu is a fictional cosmic entity created by writer H. P. Lovecraft.It was introduced in his short story "The Call of Cthulhu", [2] published by the American pulp magazine Weird Tales in 1928.
R'lyeh is characterized by bizarre architecture likened to non-Euclidean geometry that hampers exploration and escape. At one point, a crew member "climbed interminably along the grotesque stone moulding – that is, one would call it climbing if the thing was not after all horizontal – and the men wondered how any door in the universe could be so vast" [2] and at another, a sailor "was ...
The Deep Ones are creatures in the Cthulhu Mythos of H. P. Lovecraft. The beings first appeared in Lovecraft's novella The Shadow over Innsmouth , but were already hinted at in the early short story "Dagon". The Deep Ones are a race of intelligent ocean-dwelling creatures, approximately human-shaped but with a fishy appearance.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, [1] and may also be seen as a symbol for primordial chaos, [2] therefore being the most powerful entity in the entirety of the Cthulhu Mythos.
Cthulhu Mythos media most commonly portray shoggoths as intelligent to some degree, but deal with problems using only their great size and strength. The shoggoth that appears in At the Mountains of Madness simply rolls over and crushes numerous giant penguins that are in its way as it pursues human characters.
A shoggoth (occasionally shaggoth [1]) is a fictional monster in the Cthulhu Mythos. The beings were mentioned in passing in H. P. Lovecraft's sonnet cycle Fungi from Yuggoth (1929–30), and later mentioned in other works, before being described in detail in his novella At the Mountains of Madness (1931). [2]
Lloigor is a fictional deity and a fictional race in the Cthulhu Mythos.The entity first appeared in August Derleth and Mark Schorer's short story "The Lair of the Star Spawn" (1932), and has been used in subsequent fictional works by others though often departing from the original concept.