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  2. Vitreous enamel - Wikipedia

    en.wikipedia.org/wiki/Vitreous_enamel

    Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.

  3. Industrial porcelain enamel - Wikipedia

    en.wikipedia.org/wiki/Industrial_porcelain_enamel

    The production of porcelain enamelled products on an industrial scale first began in Germany in 1840. [18] The method used was very primitive compared to modern methods: the product was heated to a very high temperature and dusted with enamel, then immediately fired.

  4. Vitreous china - Wikipedia

    en.wikipedia.org/wiki/Vitreous_china

    Vitreous china is an enamel coating that is applied to ceramics, particularly porcelain, after they have been fired, though the name can also refer to the finished piece as a whole. The coating makes the porcelain tougher, denser, and shinier, and it is a common choice for items such as toilets and sink basins. [1] [2] [3]

  5. China painting - Wikipedia

    en.wikipedia.org/wiki/China_painting

    China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.

  6. Enamel paint - Wikipedia

    en.wikipedia.org/wiki/Enamel_paint

    Enamel paint is paint that air-dries to a hard, usually glossy, finish, used for coating surfaces that are outdoors or otherwise subject to hard wear or variations in temperature; it should not be confused with decorated objects in "painted enamel", where vitreous enamel is applied with brushes and fired in a kiln. The name is something of a ...

  7. Underglaze - Wikipedia

    en.wikipedia.org/wiki/Underglaze

    However, because the main or glost firing is at a higher temperature than used in overglaze decoration, the range of colours available in underglaze is more limited, and was especially so for porcelain in historical times, as the firing temperature required for the porcelain body is especially high. Early porcelain was largely restricted to ...