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DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926. [3] [4]Rapid X Reversal Pan (discontinued) The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
Tungsten balanced color film, motion picture film stock suitable for C-41 process [141] Austria: 135-24 KONO! Rotwild 400: available: T: 400: C-41: Print: Creative color film with intense tints, ranging from yellow to deep red with re-animated motion picture film stock suitable for C-41 process. Probably a redscale film [142] Austria: 135-24 ...
The original camera negative (OCN) is the film in a traditional film-based movie camera which captures the original image. This is the film from which all other copies will be made. It is known as raw stock prior to exposure. The size of a roll varies depending on the film gauge and whether or not a new roll, re-can, or short end was used. One ...
In 1911 the major American film studios returned to using nitrate stock. [5] More amateur formats began to use acetate-based film, and several, including Kodak's own 16 mm format, were designed specifically to be manufactured with safety base. Kodak released Cine Negative Film Type E in 1916 and Type F (later known as Negative Film Par Speed ...