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Peckinpah's version was to be shot in black-and-white to give the film a 1930s period feel. Jewison scrapped the black-and-white footage, feeling it was a mistake to shoot a film with the red and black of playing cards in greyscale. He did mute the colors throughout, both to evoke the period and to help pop the card colors when they appeared. [5]
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Head of Christ by Warner Sallman (1941) is the most widely reproduced image of Jesus, despite the fact that he was a Hebrew man from the Middle East. Whitewashing in art is the practice of altering the racial identity of historical and mythological figures in art as a part of a larger pattern of erasing and distorting the histories and contributions of non-whites.
If the stone projects from a flat flint wall then the term is proudwork, as the stone stands "proud" rather than being "flush" with the wall. Elaborate 15th-century flint and limestone flushwork at Holy Trinity Church in Long Melford, Suffolk. Flushworked buildings belong to the Perpendicular style of English Gothic architecture.
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Pearl Alice Frush was born in Sioux City, Woodbury, Iowa, March 20, 1907. [7] Her family moved to the Mississippi Gold Coast when she was young. She studied art in New Orleans, Philadelphia, and New York City before eventually studying at the School of the Art Institute of Chicago under Charles Schroeder. [8]
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