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Architectural photography is the subgenre of the photography discipline where the primary emphasis is made to capturing photographs of buildings and similar architectural structures that are both aesthetically pleasing and accurate in terms of representations of their subjects.
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras. Sometimes the term is used when a shallow depth of field is simulated with digital post-processing; the name may derive from a perspective control lens (or tilt–shift lens) normally ...
Some cameras provide options for fine-tuning settings such as sharpness and saturation, which may be referred to as "Styles" or "Films". Some cameras offer color-altering settings to do things such as make the photograph black-and-white or sepia, swap specific colors, or isolate colors.
Therefore, the Fuji GX680 has many of the same camera movements of a large format view camera, only limited by restricted motions of the front standard and a fixed rear standard, making the camera also suitable for architectural photography. The Fuji GX680 has quite large physical dimensions for a medium-format camera, but compared to the ...
In photography, the term is used to describe the apparent leaning of buildings towards the vertical centerline of the photo when shooting upwards, a common effect in architectural photography. Likewise, when taking photos looking down, e.g., from a skyscraper, buildings appear to get broader towards the top.
Sunlit subject shot on a digital camera set to ISO 100, exposed at f/8 at 1/400 second which is the same exposure value as f/16 for 1/100 second, the recommended "sunny 16" exposure In photography, the sunny 16 rule (also known as the sunny f /16 rule ) is a method of estimating correct daylight exposures without a light meter .