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In a theatre, a box, loge, [1] or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. The interior of the Palais Garnier, an opera house, showing the stage and auditorium, the latter including the floor seats and the opera boxes above
The Italian word opera means "work", both in the sense of the labor done and the result produced. The Italian word in turn derives from the Latin opera.Opera is also the Latin plural of opus, with the same root, but the word opera was a singular Latin noun in its own right, and according to Lewis and Short, in Latin "opus is used mostly of the mechanical activity of work, as that of animals ...
The Italian word derives from the Latin word opera, a singular noun meaning "work" and also the plural of the noun opus. According to the Oxford English Dictionary , the Italian word was first used in the sense "composition in which poetry, dance, and music are combined" in 1639; the first recorded English usage in this sense dates to 1648.
The history of opera has a relatively short duration within the context of the history of music in general: it appeared in 1597, when the first opera, Dafne, by Jacopo Peri, was created. Since then it has developed parallel to the various musical currents that have followed one another over time up to the present day, generally linked to the ...
The name of the opera should be in its original language except: When the opera is commonly known in English-speaking nations by another title (i.e. The Marriage of Figaro). When the opera's full original title is widely known in an abbreviated form (i.e. I Lombardi). Capitalization See Wikipedia:Naming conventions (capitalization).
A Sator Square (laid out in the SATOR-format), etched onto a wall in the medieval fortress town of Oppède-le-Vieux, France. The Sator Square (or Rotas-Sator Square or Templar Magic Square) is a two-dimensional acrostic class of word square containing a five-word Latin palindrome. [1]
"The Standard Repertoire of Grand Opera 1607–1969", a list included in Norman Davies's Europe: a History (Oxford University Press, 1996; paperback edition Pimlico, 1997). ISBN 0-7126-6633-8. Operas appearing in the chronology by Mary Ann Smart in The Oxford Illustrated History of Opera (Oxford University Press, 1994). ISBN 0-19-816282-0.
The place of honor in the house has a tormented existence, relating not only to the history of the opera house but also to the political and historic events of the city of Venice. The royal box was not part of Giannantonio Selva's original plan for La Fenice; at the time of its construction the house contained only boxes of the same size.