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Autumn leaf color is a phenomenon that affects the normally green leaves of many deciduous trees and shrubs by which they take on, during a few weeks in the autumn season, various shades of yellow, orange, red, purple, and brown. [1]
"Autumn Leaves" is the English-language version of the French song "Les Feuilles mortes" ("The Dead Leaves") composed by Joseph Kosma in 1945. The original lyrics were written by Jacques Prévert in French, and the English lyrics were by Johnny Mercer .
Autumn Leaves may refer to: Autumn leaf color, a phenomenon affecting deciduous plants by autumn; Autumn Leaves, a 1956 film directed by Robert Aldrich;
Musically, "Autumn Leaves" is a soul track that features alternative hip hop parts. The song contains lyrics about a lover’s departure and internal conflict, while Lamar's verse coaches Brown through his emotional challenges. "Autumn Leaves" received critical praise from music critics, which praised the artists' performances and its lyrical ...
Roger Williams (born Louis Jacob Weertz; October 1, 1924 – October 8, 2011) was an American popular music pianist.Described by the Los Angeles Times as "one of the most popular instrumentalists of the mid-20th century", and "the rare instrumental pop artist to strike a lasting commercial chord," Williams had 22 hit singles – including the chart-topping "Autumn Leaves" in 1955 and "Born ...
Fall of Leaves (original French title: Chûte de feuilles), or Falling Autumn Leaves is a pair of paintings (in French pendants, i. e. counterparts) by the Dutch painter Vincent van Gogh. They were executed during the two months at the end of 1888 that his artist friend Paul Gauguin spent with him at The Yellow House in Arles, France.
Autumn, also known as fall, [1] is one of the four temperate seasons on Earth. Outside the tropics, autumn marks the transition from summer to winter, in September (Northern Hemisphere) or March (Southern Hemisphere). Autumn is the season when the duration of daylight becomes noticeably
Autumn Leaves (1856) is a painting by John Everett Millais exhibited at the Royal Academy in 1856. It was described by the critic John Ruskin as "the first instance of a perfectly painted twilight." [ 1 ] Millais's wife Effie wrote that he had intended to create a picture that was "full of beauty and without a subject".