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Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter . The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation .
The main types of flexographic ink are water based, [2] solvent and UV curable. [3] The printing surface (substrate type) dictates what ink type it is advisable to use.Each type of ink has its advantages and disadvantages, therefore the type of ink used in printing is determined by factors such as price, speed, and the use of the packaging (food, cleaning, or shopping bags).
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Vitreography is a fine art printmaking technique that uses a 3 ⁄ 8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph.
Using stencils to apply the glue and sprinkling different amounts of carborundum through the different stencils. To print a carborundum print, the surface is covered in ink, and then the surface is wiped clean with tarlatan cloth or newspaper, leaving ink only in the texture of the screen or carborundum. A damp piece of paper is placed on top ...
Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
Unlike a spirit duplicator master, a hectograph master is not a mirror image. Thus, when using a spirit duplicator master with a hectograph, one writes on the back of the purple sheet, using it like carbon paper to produce an image on the white sheet, rather than writing on the front of the white sheet to produce a mirror image on its back.
Wood engraving is a relief printing technique, with the images made by carving into fine-grained hardwood blocks. Ink is rolled onto the surface of the block, dry paper is placed on top of the block and it is printed either by rolling both through a press, or, by hand, using a baren to rub the ink from the surface of the block onto the paper.