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La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting. It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).
Download as PDF; Printable version; In other projects ... and the Philosophy of Art is a 2005 book edited by Matthew Kieran in which pairs of authors dispute central ...
Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151.
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Art and Scholasticism (French: Art et scolastique) is a 1920 book by the French philosopher Jacques Maritain. It is considered his major contribution to aesthetics . [ 1 ] According to Gary Furnell, the work "was a key text that guided the work of writers such as Allen Tate , Caroline Gordon , Sally and Robert Fitzgerald , Francois Mauriac ...
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.
Aesthetic Theory (German: Ästhetische Theorie) is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970.
Noël Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art.Although Carroll is best known for his work in the philosophy of film (he is a proponent of cognitive film theory), he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history.