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A radio drama adaptation of To Be or Not to Be was produced by the Screen Guild Theatre on January 18, 1943, starring William Powell and Diana Lewis. The film was remade by 20th Century Fox under the same name, To Be or Not to Be, in 1983. It was directed by Alan Johnson and starred Mel Brooks and Anne Bancroft.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Provide summary/ synopsis A further option for both readers and writers is to structure the writing so it can be skimmed effectively. This means writing the first sentence of each paragraph as a summary of the paragraph, so the reader can quickly know which paragraphs or sections are of interest to read for more detail, in addition to the usual ...
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
The name or names given in the first sentence does not always match the article title. This page gives advice on the contents of the first sentence, not the article title. By the design of Wikipedia's software, an article can have only one title. When this title is a name, significant alternative names for the topic should be mentioned in the ...
The advice in this guideline is not limited to the examples provided and should not be applied rigidly. If a word can be replaced by one with less potential for misunderstanding, it should be. [1] Some words have specific technical meanings in some contexts and are acceptable in those contexts, e.g. claim in law.
Clearly, a dictionary would not solve the problem, as a dictionary is a report of already known synonyms, and thus is dependent on the notion of synonymy, which Quine holds as unexplained. A second suggestion Quine considers is an explanation of synonymy in terms of interchangeability.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]