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  2. Mallrats - Wikipedia

    en.wikipedia.org/wiki/Mallrats

    A scene in which Brodie and T.S. arrive outside of Mr. Svenning's home, so T.S. can try and reconcile, and during the confusion, thanks to a news crew chasing T.S., then interviewing Brodie (who then implies that Mr. Svenning and Brandi take part in Satanic rituals), the news crew records footage of Svenning doing martial arts in a bath-towel ...

  3. Critical approaches to Hamlet - Wikipedia

    en.wikipedia.org/wiki/Critical_approaches_to_Hamlet

    In 1774, William Richardson sounded the key notes of this analysis: Hamlet was a sensitive and accomplished prince with an unusually refined moral sense; he is nearly incapacitated by the horror of the truth about his mother and uncle, and he struggles against that horror to fulfill his task.

  4. Hamlet - Wikipedia

    en.wikipedia.org/wiki/Hamlet

    His point of departure is Freud's Oedipal theories, and the central theme of mourning that runs through Hamlet. [135] In Lacan's analysis, Hamlet unconsciously assumes the role of phallus—the cause of his inaction—and is increasingly distanced from reality "by mourning, fantasy, narcissism and psychosis", which create holes (or lack) in the ...

  5. Characters of Shakespear's Plays - Wikipedia

    en.wikipedia.org/wiki/Characters_of_Shakespear's...

    Here he recalls some acting triumphs he had witnessed long ago: "Mrs. Siddons played Hermione, and in the last scene acted the painted statue to the life—with true monumental dignity and noble passion; Mr. Kemble, in Leontes, worked himself up into a very fine classical phrensy; and Bannister, as Autolycus, roared as loud for pity as a sturdy ...

  6. 'Mallrats': Kevin Smith on why he passed on Reese ... - AOL

    www.aol.com/news/kevin-smith-mallrats-interview...

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  7. Henry IV, Part 1 - Wikipedia

    en.wikipedia.org/wiki/Henry_IV,_Part_1

    King Henry IV, Part I: The King to the Prince of Wales: "Thou shalt have charge and sovereign trust herein.", (Act III, Scene ii), by Edwin Austin Abbey (1905) Henry IV, Part 1 (often written as 1 Henry IV) is a history play by William Shakespeare, believed to have been written no later than 1597.

  8. Rosencrantz and Guildenstern - Wikipedia

    en.wikipedia.org/wiki/Rosencrantz_and_Guildenstern

    In Act III, Hamlet seems to drop the pretense of friendship, coldly dismissing the two in Scene 2. Line 319 is perhaps his only use of the royal "we" in the play, although he may also be addressing the other person present on the stage, Horatio, with whom Hamlet first saw the ghost they are discussing. To his mother, he comments in Scene 4 that ...

  9. 'Our workplace is a ball': How 'Bridgerton' constructed ... - AOL

    www.aol.com/news/workplace-ball-bridgerton...

    On the London set of 'Bridgerton,' we got a glimpse at how several teams worked to create the over-the-top ball scenes in Season 3, including a botanical ball.