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Adam Cohen and The Webb Sisters, "So Long, Marianne" k.d. lang, "Hallelujah" Intermission Shaar Hashomayim Choir with pre-recorded videos of: Willie Nelson, Céline Dion, Peter Gabriel and Chris Martin and archival footage of Leonard Cohen, "Tower of Song" Sting, "Sisters of Mercy" Lana Del Rey and Adam Cohen, "Chelsea Hotel #2"
However the song "Tower of Song" does not actually appear on this tribute album. Unlike the 1991 Cohen tribute album I'm Your Fan, that was recorded by a lineup of alternative rock groups like The House of Love and the Pixies, Tower of Song featured relatively well-known, mainstream artists like Elton John, Sting with the Chieftains, Billy Joel ...
Cohen began his output in the mid-’60s adhering more to the expected musical formulas of the singer-songwriter or folk-rock milieus, but from the ’70s forward, he was enlisting the help of ...
The genesis of "Tower of Song" is described in Ira Nadel's 1996 Cohen memoir Various Positions: "Tower of Song" is the keynote work of I'm Your Man. With it, Cohen wanted to "make a definitive statement about the heroic enterprise of the craft" of songwriting. In the early eighties, he called the work "Raise My Voice in Song."
Batalla recorded a 2005 tribute album to Cohen, titled Bird on the Wire. Sing Out! magazine's Michael Tearson wrote: "Beautifully conceived and executed, Bird on the Wire is a rewarding listening experience I find myself returning to frequently. It is every bit the equal of Jennifer Warnes's classic Cohen tribute album 'Famous Blue Raincoat'.
Pages in category "Leonard Cohen tribute albums" The following 6 pages are in this category, out of 6 total. ... Tower of Song: The Songs of Leonard Cohen
Hallelujah: Leonard Cohen, A Journey, A Song, from filmmakers Dan Geller and Dayna Goldfine stresses that many artist cover the poplar tune, like Jeff Buckley, ultimately the Canadian artist is ...
The genesis of "Tower of Song" is described in Ira Nadel's 1996 Cohen memoir Various Positions: "Tower of Song" is the keynote work of I'm Your Man. With it Cohen wanted to "make a definitive statement about the heroic enterprise of the craft" of songwriting. In the early eighties he called the work "Raise My Voice in Song".