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Le Bouquet (1951) by Marc Saint-Saens is among the best and most representative French tapestries of the fifties. It is a tribute to Saint-Saens’s predilection for scenes from nature and rustic life. [6] The museum of the Cité internationale de la tapisserie ) in Aubusson which opened in 2016 has a large collection of Aubusson tapestries.
In the 19th century, the most important producer of tapestries in the world was the city of Aubusson, in France. It was there that Mr. Baumgarten found the Foussadier family who were taken to New York City to work in his company. [2] They had formerly worked at The Royal Windsor Tapestry Manufactory (1876–1890). [3]
The Pastoral Amusements, (French: Les Amusements champêtres) is a series of tapestries designed between 1720 and 1730 [1] by Jean-Baptiste Oudry for Noël-Antoine de Mérou, then director of the Royal Beauvais Tapestry Manufactory. The first production of the designs took place at Beauvais in 1731. [2]
Aubusson is well known for its tapestry and carpets, which have been famous throughout the world since the 14th century. The origins of this craft date to the arrival of weavers from Flanders, who took refuge in Aubusson around 1580. There is a famous collection of Aubusson tapestries at Vallon-Pont-d'Arc. The style of the tapestries produced ...
As a painter to the King, he created several designs for tapestries, including a few on the history of Achilles, that were woven at the Aubusson manufactory. [2] Some are kept at the Hospices de Beaune, along with miniatures depicting scenes from the life of Christ. A series on Ulysses may be seen at the Château de Villemonteix .
A fourth and final cartoon was photographically enlarged in sections to guide the work of the tapestry weavers. [4] [8] At first Sutherland suggested that the tapestry could be woven by the Edinburgh Tapestry Company, but the work was eventually sent to Pinton Frères at Felletin near Aubusson in the Creuse department of France. The French ...
European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. (2 vols.). New York: The Metropolitan Museum of Art. ISBN 0-87099-406-9. Wingfield Digby, G F (1980). The Victoria and Albert Museum. The Tapestry Collection : Medieval and Renaissance. London: Her Majesty's Stationery Office. ISBN 0-11-290246-4.
The company was founded in 1823 by Pierre-Antoine Doineau and his wife Louise-Desirée Doineau. [2] Around 1840 the company opened a factory at Aubusson, France. [ 3 ] In 1842 the company renamed itself Demy-Doineau et Braquenié, Manufacture Royale de Tapis et de Tapisserie . [ 4 ]