Search results
Results From The WOW.Com Content Network
The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century. During this time, the government played a stronger role in shaping culture, requiring the use of Zhu Xi 's interpretation of Neo-Confucianism in civil service examinations ...
The Astor Court, located in the Metropolitan Museum of Art in New York City, is a re-creation of a Ming dynasty-style, Chinese-garden courtyard. It is also known as the Ming Hall (明軒). The first permanent cultural exchange between the U.S. and the People's Republic of China, [1] the installation was completed in 1981.
During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the Ming period became classical during this period. More colours were used in painting during the Ming dynasty.
The New York Chinese Scholar's Garden. Wood - Nails or glue are not used in a Chinese garden. Wooden elements are joined together using traditional Chinese construction techniques (a sophisticated mortise-and-tenon system characteristic of traditional Chinese Ming Dynasty construction).
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
One version came to the Metropolitan Museum of Art in New York in 1947. [15] Another has a length of 6.7 meters, longer than the original. It also replaced the scenery from the Song dynasty to that of the Ming dynasty based on contemporary fashions and customs, updating the costumes worn by the characters and the styles of vehicles (boats and ...
Wen Shu or Wen Chu (Chinese: 文俶; 1595-1634) was a Chinese illustrator and painter who worked under the art name Hanshan and was known for her paintings of flora and small insects during the Ming dynasty. [1] She is considered the finest flower painter of the period. [2] Her work was popular at the time, and consistently sells well at auction.
Qiu Zhu (Chinese: 仇珠; Wade–Giles: Ch'iu Chu; fl. 1565–1585), commonly known as Miss Qiu and by her art name Duling Neishi (Chinese: 杜陵内史), was a Chinese painter during the Ming dynasty, noted for paintings with figures (rather than landscapes), including several depictions of the goddess Guanyin.