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Vocal learning is the ability to modify acoustic and syntactic sounds, acquire new sounds via imitation, and produce vocalizations. "Vocalizations" in this case refers only to sounds generated by the vocal organ (mammalian larynx or avian syrinx) as opposed to by the lips, teeth, and tongue, which require substantially less motor control. [1]
Los Muñequitos de Matanzas is a Cuban rumba ensemble from the city of Matanzas. [1] The group was established in 1952 as Conjunto Guaguancó Matancero and released their first LP in 1956 through Puchito. Since then, Los Muñequitos have continued to perform and record, becoming one of the most successful and critically acclaimed rumba groups ...
Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds , and possessing the same quality.
However, controversy surrounding the term within vocal music has subsided as more research into the use of the vocal fry register within the context of singing ensued. [1] In particular, vocal pedagogist Margaret Greene's videotaping of the physiological processes occurring in the body while singers were phonating in the vocal fry register ...
There are two complementary definitions of vowel, one phonetic and the other phonological.. In the phonetic definition, a vowel is a sound, such as the English "ah" / ɑː / or "oh" / oʊ /, produced with an open vocal tract; it is median (the air escapes along the middle of the tongue), oral (at least some of the airflow must escape through the mouth), frictionless and continuant. [4]
[1] The International Phonetic Alphabet is an alphabetic system of phonetic notation based primarily on the Latin alphabet . It was devised by the International Phonetic Association as a standardized representation of the sounds of spoken language.
Its music was composed by Daniel Alomía Robles in 1913 and its script was written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody was legally registered on May 3, 1933, by The Edward B. Marks Music Corp. in the Library of Congress , under the number 9643.