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Renaud Camus (/ k æ ˈ m uː /; French: [ʁəno kamy]; born Jean Renaud Gabriel Camus on 10 August 1946) is a French writer. He is the inventor of the " Great Replacement ", a term describing the demographic replacement of white Europeans by those of non-European ancestry.
Amor fati is a Latin phrase that may be translated as "love of fate" or "love of one's fate". It is used to describe an attitude in which one sees everything that happens in one's life, including suffering and loss , as good or, at the very least, necessary.
After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed Joseph Stalin and the Soviet Union because of their totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism.
A Happy Death (original title La mort heureuse) is a novel by absurdist French writer-philosopher Albert Camus.The absurdist topic of the book is the "will to happiness", the conscious creation of one's happiness, and the need of time (and money) to do so.
Resistance, Rebellion, and Death (French: Lettres à un ami allemand, "Letters to a German Friend") is a 1960 collection of essays written by Albert Camus and selected by the author prior to his death.
Blanche-Augustine Camus (27 October 1884 – 1968) was a French neo-impressionist painter, associated with the style of Divisionism, [1] noted for her luminous landscapes and gardens of the south of France, often combined with graceful outdoor portraits of her family and friends.
Pierre Duval Le Camus, known as Camus le père (13 February 1790, Lisieux - 29 July 1854, Saint-Cloud) was a French painter and lithographer who specialized in portraits and genre scenes. His son, Jules-Alexandre Duval Le Camus , also became a well-known artist.
Notebooks 1951–1959 is the third volume of Albert Camus' notes. Two more volumes of Camus' notes were also published (Notebooks 1935–1942 and Notebooks 1942–1951).This book shed light on Camus' thought related to his continual rivalry with Jean-Paul Sartre and a large part of the left, after his book The Rebel (L’Homme révolté) was published.