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The Irish Girl by Ford Maxon Brown, 1860. Traditional Irish clothing is the traditional attire which would have been worn historically by Irish people in Ireland. During the 16th-century Tudor conquest of Ireland, the Dublin Castle administration prohibited many of Ireland’s clothing traditions. [1] A series of photos captured by French ...
The "bowl" haircut with the back of the neck shaved was popular in mid-15th century. Hose or chausses worn with braies and tied to a belt, 1440. Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles). Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation ...
1300–1400 in European fashion. Clothing of the first half of the 14th century is depicted in the Codex Manesse. In the lower panel, the man is dressed as a pilgrim on the Way of St James with the requisite staff, scrip or shoulder bag, and cockle shells on his hat. The lady wears a blue cloak lined in vair, or squirrel, fur.
Riders to the Sea is a play written by Irish Literary Renaissance playwright John Millington Synge. It was first performed on 25 February 1904 at the Molesworth Hall, Dublin, by the Irish National Theater Society with Helen Laird playing Maurya. An one-act tragedy, the play is set at Inishmaan in the Aran Islands, and like all of Synge's plays ...
In Ireland, "La Tène ornamented material from the third to fifth centuries AD is difficult to demonstrate [from Ireland]". [1]In the 6th to 8th centuries the art of the newly Christianised Irish mixed with Mediterranean and Germanic traditions through Irish missionary contacts with the Anglo-Saxons, creating what is called Insular art (or the Hiberno-Saxon style) and such masterpieces as the ...
Kinsale cloak. The Kinsale cloak (Irish: fallaing Chionn tSáile), worn until the twentieth century in Kinsale and West Cork, was the last remaining cloak style in Ireland. It was a woman's wool outer garment which evolved from the Irish cloak, a garment worn by both men and women for many centuries. Image from an old postcard showing a woman ...