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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
The composition and common shapes of the details are created on the basis of the composition "lachak turanj", which is formed by the foliate curve-linear patterns. However, with time the patterns of this composition became dotted and created an independent carpet pattern. Normally, the carpet was woven from memory, without a sketch.
The handmade rugs come in many patterns and colors, yet the traditional and most common example of Afghan carpet is the octagon-shaped elephant-foot (Bukhara). The rugs with this print are most commonly red in color. Many dyes, such as vegetable dyes, are used to impart rich color.
An Anatolian carpet pattern depicted on Jan van Eyck's “Paele Madonna” painting was traced back to late Roman origins and related to early Islamic floor mosaics found in the Umayyad palace of Khirbat al-Mafjar. [79] Rugs were produced in the court manufactures as special commissions or gifts (some carpets included inwoven European coats of ...
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The colors are also lighter. The patterns are predominantly geometric and the most common layouts on Ardabil rugs are medallions, multiple connected diamond-shaped medallions, and all-over octagonal shapes. The most recognized design found on Ardabil rugs is the famous Mahi (Herati) design - a diamond medallion and small fish throughout.