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French clef C major scale, French violin clef. Play ⓘ A G-clef placed on the first line is called the French clef, or French violin clef. It was used in France in the seventeenth and eighteenth centuries for violin music and flute music. [3] It places the notes in the same staff positions as the bass clef, but two octaves higher.
G clef (Treble clef) The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called treble clef. [2] The treble clef is the most commonly encountered clef in modern notation ...
The shape note system is found in some church hymnals, sheet music, and song books, especially in the Southern United States. Instead of the customary elliptical note head, note heads of various shapes are used to show the position of the note on the major scale. The Sacred Harp is one of the most popular tune books using shape notes.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
Recorder parts in the Baroque were typically notated using the treble clef, although they may also be notated in French violin clef (G clef on the bottom line of the staff). In modern usage, recorders not in C or F are alternatively referred to using the name of the closest instrument in C or F, followed by the lowest note.
For example, the treble clef puts the G above middle C on the second line. The interval between adjacent staff positions is one step in the diatonic scale. Once fixed by a clef, the notes represented by the positions on the staff can be modified by the key signature or accidentals on individual notes.
Seven clefs are used for this: treble (2nd line G-clef), bass (4th line F-clef), baritone (3rd line F-clef or 5th line C-clef, although in France and Belgium sight-reading exercises for this clef, as a preparation for clef transposition practice, are always printed with the 3rd line F-clef), and C-clefs on the four lowest lines; these allow any ...
The violin I's C major scales on the G clef are visually identical to the viola's D major scales on the C clef, whereas the Violin II's B major scales on the G clef and the cello's D major scales on the F clef are also the same, only transposed to an octave lower in both cases. [9]