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Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid. Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands. [6]
The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.
Felix Doran (died 1972) was an Irish Traveller who was known for traditional music from the early 1920s to the 1970s as uilleann pipe player. [1] Felix and his brother Johnny Doran are descendants of nineteenth-century Wexford piper John Cash.
Brother's Tadhg and Denis Crowley made Warpipes, Highland Pipes, and Uilleann pipes in Cork. [13] David Naill & Co., Ltd. Leslie Cowell Somerset, England Founded 1976. Makers of Scottish Bagpipes, Smallpipes & chanters. [14] Peter Henderson Ltd. Peter Henderson Glasgow, Scotland 1868 1972 One of the famous Scottish bagpipe makers.
In modern Uilleann pipes, the player will move from the lower to the upper register by stopping the chanter momentarily while increasing the bag pressure, causing the reed to double-tone. However, in the pastoral pipe, the same effect can be achieved by increasing the bag pressure while playing a suitable gracenote.
William Talbot [1] was a 19th century player, teacher, repairer and builder of the Irish bagpipes, commonly known as the uilleann pipes, the characteristic national bagpipes of Ireland. In 1821 he played for King George IV [ 2 ] at the Dublin Theatre Royal when the King visited Dublin in August 1821. [ 3 ]
A conical metal pipe will sometimes have a tuning slide, but often is tuned by moving the large ears on either side of the pipe's mouth. Small metal pipes are often "cone tuned", whereby the top of each pipe is deformed inward or outward using a heavy hollow cone. Such tuning is extremely stable, but causes gradual damage to the pipe over time.
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