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1821 title page, Pisa, Italy. Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s /) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [1]
The Literary Pocket-Book was a collection of works edited by Leigh Hunt and containing material by Hunt, Percy Bysshe Shelley, John Keats, and Bryan Waller Procter. The collection was put together during 1818, and proved so successful that Hunt was able to sell the copyright for £200 a year later.
Contemporary critics of Keats enjoyed the poem, and it was heavily quoted in their reviews. [36] An anonymous review of Keats's poetry that ran in the August and October 1820 Scots Magazine stated: "Amongst the minor poems we prefer the 'Ode to the Nightingale'. Indeed, we are inclined to prefer it beyond every other poem in the book; but let ...
John Keats dedicated this poem to the late poet Thomas Chatterton. The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets). Keats based the poem on the Greek myth of Endymion, the shepherd beloved of the moon goddess Selene.
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
The Keats–Shelley Memorial House is a writer's house museum in Rome, Italy, commemorating the Romantic poets John Keats and Percy Bysshe Shelley.The museum houses one of the world's most extensive collections of memorabilia, letters, manuscripts, and paintings relating to Keats and Shelley, as well as Byron, Wordsworth, Robert Browning, Elizabeth Barrett Browning, Oscar Wilde, and others.
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As Paul Magnuson wrote in 2002, "Abrams credited Coleridge with originating what Abrams called the 'greater Romantic lyric', a genre that began with Coleridge's 'Conversation' poems, and included William Wordsworth's Tintern Abbey, Percy Bysshe Shelley's Stanzas Written in Dejection and John Keats's Ode to a Nightingale, and was a major ...