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Borborbor is a Ghanaian and Togolese traditional dance performed by the Ewe people from the mid-Volta region of Ghana and Southern Togo including Kpalime and Lomé. [1] The dance is performed especially during the festival of the chiefs and people of communities. [2] This dance is believed to have been originated by Mr. Francis Kudzo Nuatro in ...
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
At the end of the rainy season in September, the Wodaabe travel to In-Gall to gather salt and participate at the Cure Salée festival, a meeting of several nomadic groups. . Here the young Wodaabe men, with elaborate make-up, feathers and other adornments, perform dances and songs to impress wom
Many Zulu musicians have become a major part of South African music, creating a huge influence in the music industry. A number of Zulu-folk derived styles have become well known across South Africa and abroad. Zulu music has dominated many genres in South Africa, especially house music, folk music, acapella, choral music and gospel.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
The xibelani dance (Shibelani, Shibelana, Shibelane) is an indigenous dance of the Tsonga women from Mpumalanga and Limpopo located in South Africa. The name of the dance comes from the native Xitsonga language and it can translate to "hitting to the rhythm", for example, the concept " xi Bela ni vunanga ".