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The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1] The riddim has been used on hundreds of derivative records.
Each volume of the series features tracks from multiple artists recorded over one or two reggae or dancehall riddims produced by various producers. The series began in February 2000 with the release of the Bellyas riddim album as a way of collecting various artists' 7 inch recordings on a single CD or vinyl record. Greensleeves has since ...
Often a melody is associated with the riddim, and occasionally an artist will produce two different songs with the same riddim (e.g. Elephant Man's "Ele Melody" and "Father Elephant" were both produced using the Kopa riddim, produced by Supa Dups). [citation needed] Riddims began forming popular in the early 1960s with the evolving role of the ...
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
Sister Nancy, however, sampled the Toots and the Maytals's Bam Bam over the Stalag riddim instead, a popular reggae riddim which came to prominence in the 1970s. The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973.
This is a list of notable roots reggae musicians, singers and producers. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .