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The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
From the middle of the 11th century to the 16th century, Japan imported much Chinese celadon greenware, white porcelain, and blue-and-white ware. Japan also imported Chinese pottery as well as Korean and Vietnamese ceramics. Such Chinese ceramics (tenmoku) were regarded as sophisticated items, which the upper classes used in the tea ceremony ...
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Japan also produced many small bisque dolls in the 1920s and 1930s, often cold painted with oil colours, which have subsequently washed off. At about the same time, just before the Second World War, hobbyist production of reproduction dolls, firstly elaborately moulded female doll heads from the 1860s and 1870s, began in the US with doll ...
Chalkware flourished during the mid-century modern era (1945-1965) as an inexpensive and expressive medium for the home, serving many types of taste and types of decorative need with table lamps, figurines, wall decor and tourist memorabilia.
The Hakata doll gained fame when American soldiers took them back to the US as souvenirs during the American occupation of Japan following the Second World War. Japan started exporting Hakata dolls soon afterwards. At the same time, the Hakata doll became well known domestically, and factories began producing Hakata dolls of lesser quality.
Sculptural vessels with the form of animals began to appear, as well as designs including relief and small okimono figurines that were purely decorative. These trends were in place before the explosive growth in exports following the reopening of Japan in the 1850s, and were to be taken to further extremes in the subsequent period.
Copy of lost Udayana Buddha by the Chinese sculptors and brothers Zhāng Yánjiǎo and Zhāng Yánxí. Brought to Japan from China in 986 by the monk Chōnen (奝然). Includes a model of the internal organs, made of silk and other materials, a paper with the seal of Chōnen and other items. Inscription of repair dated 1218 Northern Song, 985