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In the Yogachudamani Upanishad Bindu is a duality, with a white Bindu representing shukla (pure) and a red Bindu representing maharaj . The white Bindu resides in the bindu visarga and is related to Shiva and the Moon, while the red Bindu resides in the muladhara chakra and is related to Shakti and the Sun. [4]
In the later written language, the diacritic used to represent anusvara was optionally used to indicate a nasal stop having the same place of articulation as a following plosive, which was written in some evolved scripts (e.g. in Bengali-Assamese) as an additional sandhi letter (no longer as a diacritic) for Vedic transcriptions of Sanskrit, to ...
Japanese phonology is the system of sounds used in the pronunciation of the Japanese language. Unless otherwise noted, this article describes the standard variety of Japanese based on the Tokyo dialect.
This article should specify the language of its non-English content, using {}, {{transliteration}} for transliterated languages, and {} for phonetic transcriptions, with an appropriate ISO 639 code. Wikipedia's multilingual support templates may also be used.
However, unlike kanji, kana have no meaning, and are used only to represent sounds. Hiragana are generally used to write some Japanese words and given names and grammatical aspects of Japanese. For example, the Japanese word for "to do" (する suru) is written with two hiragana: す (su) + る (ru).
Japanese jikeibiki collation by radical and stroke ordering is standard for character dictionaries, and does not require a user to know the meaning or pronunciation beforehand. The third Chinese system of ordering by pronunciation is evident in a rime dictionary, which collates the characters by tone and rime.
An example of Japanese sound symbolism, 'Tah-dah!' (ジャーン!, Jān!) The Japanese language has a large inventory of sound symbolic or mimetic words, known in linguistics as ideophones. [1] [2] Such words are found in written as well as spoken Japanese. [3]
Khecarī mudrā (Sanskrit, खेचरी मुद्रा) [1] [2] is a hatha yoga practice carried out by curling the tip of the tongue back into the mouth until it reaches above the soft palate and into the nasal cavity.