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Léon is an Italian-American hitman (or "cleaner", as he refers to himself) working for a mafioso named "Old Tony" in the Little Italy neighborhood of New York City. One day, Léon meets Mathilda Lando, a lonely twelve-year-old who lives with her dysfunctional family in an apartment down the hall from Léon and has stopped attending class at her school for troubled girls.
The Service de documentation extérieure et de contre-espionnage (SDCE, French secret service) agent, Josselin Beaumont, known as Joss, is sent to Malagawi (fictitious country, representing the former French colonies in Africa at the dawn of the 1980s), to kill the country's president for life, Colonel N' Jala, dictator and enemy of French interests.
Associated with the Cinéma du look film movement, he has been nominated for a César Award for Best Director and Best Picture for his films Léon: The Professional (1994) and The Messenger: The Story of Joan of Arc (1999). He won Best Director and Best French Director for his sci-fi action film The Fifth Element (1997).
Bichhoo is similar to the 1994 English-language French action thriller film Léon: The Professional, written and directed by Luc Besson. Léon: The Professional stars Jean Reno as the titular mob hitman; Gary Oldman as corrupt and unhinged DEA agent Norman Stansfield; a young Natalie Portman, in her feature film debut, as Mathilda, a 12-year-old girl who is reluctantly taken in by Léon after ...
Stansfield is a DEA agent who employs a holder (Michael Badalucco) to store cocaine in his residence.When Stansfield learns that the holder has been taking a cut and adulterating the remainder, he and his henchmen gun down the man's entire family, with the exception of 12-year-old Mathilda Lando (Natalie Portman), who is able to find refuge with her neighbor, professional hitman Léon ().
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She made her film debut in Luc Besson's action thriller Léon: The Professional, which starred her as the young protégée of a hitman. [1] [2] She followed this by appearing in Michael Mann's crime thriller Heat (1995), Ted Demme's romantic comedy Beautiful Girls (1996), and Tim Burton's science fiction comedy Mars Attacks! (1996).
John Aberth, in the book, A Knight at the Movies, stated the filmmakers invented The Conscience to satisfy a modern audience that is aware of mental illness. [4] The film was also said to have "feminist undercurrents". After Joan witnesses the rape of her sister, her crusade is said to become "a fight against male domination and the abuse of ...