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The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity .
[8]: 108 The statue is today exhibited at the Archaeological Museum of Olympia. Opposing arguments have been made that the statue is a copy by a Roman copyist, perhaps of a work by Praxiteles that the Romans had purloined. [c] Wallace (1940) suggested a 2nd-century date and a Pergamene origin on the basis of the sandal type. [10]
It was a famous pilgrimage, known for hosting the famous statue of Aphrodite of Knidos. The sanctuary was dedicated to the goddess under her name Aphrodite Euploia or 'Aphrodite of the Fair Voyage', which was her name in her capacity of a sea goddess, an aspect very popular among sailors. [1]
Hermes and the Infant Dionysos, Archaeological Museum of Olympia. Hermes and the Infant Dionysus, also known as the Hermes of Praxiteles or the Hermes of Olympia is an ancient Greek sculpture of Hermes and the infant Dionysus discovered in 1877 in the ruins of the Temple of Hera, Olympia, in Greece.
The Venus de' Medici or Medici Venus is a 1.53 m (5 ft 0 in) tall Hellenistic marble sculpture depicting the Greek goddess of love Aphrodite.It is a 1st-century BC marble copy, perhaps made in Athens, of a bronze original Greek sculpture, following the type of the Aphrodite of Knidos, [1] which would have been made by a sculptor in the immediate Praxitelean tradition, perhaps at the end of the ...
The sixth-century rhetorician Choricius of Gaza also says that Praxiteles used her as a model for a statue of Aphrodite, though according to him it was one commissioned by the Spartans. [56] It is not mentioned by other ancient authors who discuss both Phryne and the Knidia, such as Pliny the Elder , and Clement of Alexandria names the model ...
Praxiteles' Aphrodite of Knidos, which survives in copies, was often referenced to and praised by Pliny the Elder. Lysistratus is said to have been the first to use plaster molds taken from living people to produce lost-wax portraits, and to have also developed a technique of casting from existing statues.
The agora, the theatre, an odeum, a temple of Dionysus, a temple of the Muses, a temple of Aphrodite [10] and a great number of minor buildings have been identified, and the general plan of the city has been very clearly made out. The most famous statue by Praxiteles, the Aphrodite of Knidos, was made for Cnidus.