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Janet R. Maslin (born August 12, 1949) is an American journalist, who served as a film critic for The New York Times from 1977 to 1999, serving as chief critic for the last six years, and then a literary critic from 2000 to 2015. In 2000, Maslin helped found the Jacob Burns Film Center in Pleasantville, New York. She is president of its board ...
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times)
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who was the chief film critic for The New York Times from 1969 until the early 1990s, then its chief theatre critic from 1994 until his death in 2000. He reviewed more than one thousand films during his tenure there.
Before being a film critic for The New York Times, Dargis was a chief film critic for the Los Angeles Times, the film editor at the LA Weekly, and a film critic at The Village Voice, where she had two columns on avant-garde cinema ("CounterCurrents" and "Shock Corridor").
The review aggregation website Rotten Tomatoes reported a 100% approval rating with an average rating of 7.67/10 based on 6 reviews. [7] Janet Maslin of The New York Times said, "[The film] tells what sounds like a stirring story, and its plainness would seem to be an asset. But something more was needed here, if not in the way of fireworks ...
The review aggregator Rotten Tomatoes reported that 81% of critics gave the film a positive review, based on sixteen reviews. [8] Film critic Aljean Harmetz of The New York Times wrote in her review: "For a movie that cost $60,000, The Return of the Secaucus Seven is traveling in heady company. Most $60,000 movies play at two film festivals ...