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  2. Matching or Mismatched Gallery Wall? Big-Time Designers ... - AOL

    www.aol.com/matching-mismatched-gallery-wall-big...

    Mismatched frames allow a gallery wall to stand out rather than blend into the background, especially in a neutral room, says designer Victoria Armour of Stil James. “The charm of a gallery wall ...

  3. Picture frame - Wikipedia

    en.wikipedia.org/wiki/Picture_frame

    View of a frame-maker's workshop, oil on canvas, circa 1900 The elaborate decoration on this frame may be made by adhering molded plaster pieces to the wood base.. A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters ...

  4. Give Your Walls the Attention They Deserve with These Unique ...

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    Try framing their spectacular works for a deeply personal and unique gallery wall. Here, designer Caroline Gidiere placed her children's artwork around the family's cozy breakfast banquette. The ...

  5. Conservation and restoration of painting frames - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    A frame before and after treatment. The conservation and restoration of painting frames is the process through which picture frames are preserved. Frame conservation and restoration includes general cleaning of the frame, as well as in depth processes such as replacing damaged ornamentation, gilding, and toning. The purpose of painting frames ...

  6. Mat (picture framing) - Wikipedia

    en.wikipedia.org/wiki/Mat_(picture_framing)

    A picture (a photo or print, drawing, etc.) is placed beneath it, with the cutout framing it. The passe-partout serves two purposes: first, to prevent the image from touching the glass, and second, to frame the image and enhance its visual appeal. The cutout in the passe-partout is usually beveled to avoid casting shadows on the picture. The ...

  7. White cube gallery - Wikipedia

    en.wikipedia.org/wiki/White_cube_gallery

    In Inside the White Cube: The Ideology of the Gallery Space, [3] he argued that in an easel painting the frame was the window through which one saw the world, and that required a wall for context. When the frame is gone and the wall is white, in O'Doherty's view, perspective and formal composition are absent.

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