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Breakfast in America" is the title track from English rock band Supertramp's 1979 album of the same name. Credited to Rick Davies and Roger Hodgson , it was a top-ten hit in the UK [ 3 ] and a live version of the song reached No. 62 on the Billboard Hot 100 in January 1981.
America (Neil Diamond song) America (Prince song) America (Razorlight song) America (Simon & Garfunkel song) America (Sufjan Stevens song) America (West Side Story song) America Drinks & Goes Home; America, Fuck Yeah; America, Here's My Boy; America's the Word for You and Me; American Boy; The American Dream Is Killing Me; An American Family ...
The classic rock format evolved from AOR radio stations that were attempting to appeal to an older audience by including familiar songs of the past with current hits. [8] In 1980, AOR radio station M105 in Cleveland began billing itself as "Cleveland's Classic Rock", playing a mix of rock music from the mid-1960s to the present. [9]
Don McLean, "American Pie" Don McLean penned this hit about "The Day the Music Died" (when a plane carrying Ritchie Valens, Buddy Holly and The Big Bopper crashed), but most people just love it ...
Some of the greatest rock songs of all time. For premium support please call: 800-290-4726 more ways to reach us
"Sweet Home Alabama" is a song by American rock band Lynyrd Skynyrd, released on the band's second album Second Helping (1974). It was written in response to Neil Young's songs "Southern Man" and "Alabama", which the band felt blamed the entire Southern United States for slavery; [5] Young is name-checked and dissed in the lyrics.
Garage rock was a raw form of rock music, prevalent in North America in the mid-1960s, and called so because of the perception that it was rehearsed in a suburban family garage. [36] [37] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [38]
In 2016 lists ranking every Bowie single, "Young Americans" placed at numbers three and five by Ultimate Classic Rock and Slant Magazine, respectively. The former argued the song "summ[ed] up the mid-'70s in five catchy minutes", while the latter called it one of the decade's "best examples" of blue-eyed soul. [4] [58]